6 tips to diagnose and cure copy blahs
Have you ever written something, especially for the spoken word, that just doesn’t sound right?
If so, try these diagnostic tools to determine if your PR or marketing copy is afflicted with one or more of the following. (I’ve certainly had them all at one point or another.)
1. Prepositionitis. This is caused by a high preposition count. Take, for example, this sentence: The blood drive at the Red Cross starts on Monday and runs for four days. Remove the prepositions and voilà: The Red Cross four-day blood drive starts Monday. It’s tighter, cleaner, and easier to read and understand.
2. Sentence lethargy. When all your sentences contain the same – or close to the same – number of words, it can sound listless and lethargic. Wake it up by varying your sentence lengths and it will sing and dance. Follow a 26-word sentence with a six-word sentence, then a 12-word sentence, a … . Well, you get the point.
I tend to do this automatically now when I write, and I certainly do it when I edit.
3. Hypocan’trism. For some reason, many of us tend to limp along on word crutches we really don’t need. One symptom is beginning too many sentences with “there is” or “there are.” Throw them away whenever you can and your copy will run freely. For example: There are 30 people enrolled in the program. Chuck that crutch and write: Thirty people are enrolled in the program.
4. Statement syndrome. Are all your sentences crafted as statements? If so, consider alternating with other sentence types. Although they should be used sparingly, consider a question or two. Throw in command sentences. And spice things up with exclamatory sentences – with or without the “!”.
For example, replace: The food at XYZ is really good with: Are you looking for a great meal? Try the food at XYZ. It’s really good!
(Can you tell I used to work as a radio copywriter?)
5. Weak – or no – transitions. When it comes to the spoken word, you have to take your listener by the ear and lead him/her smoothly through each point in the copy. These transitions – and, but, although, however, etc. –stitch your thoughts together seamlessly. And here’s another transition tip: Use the last two or three words in one sentence to begin the next. Example: He said he would do better. Do better than anyone else with his environmental policies.
6. A thready pulse. This can be the result of an over-use of verbs that often are – well, just let me just say it – wimpy. You know them: is, are, has, have, had, was, get, got, etc. Sure, they’re indispensable and vital for healthy writing, but relying on them too much can make your copy dull and boring. Put your piece under the microscope to see if there’s a more useful, explanatory – even more exciting – verb waiting in wings. Example: He had a lead in the polls. Consider: He enjoyed/celebrated/basked in his lead in the polls. One caution, however, be careful your new verb doesn’t change the meaning.
And if you’d like to go beyond the verb to inject even more colour and verve, look at changing She had a headache to Her head pounded like a …. .
Yep, I could have completed that sentence with a cool and creative simile – but I won’t. Figures of speech, my friend (along with Joss Whedon) are topics for a future article on slaying the mundane in writing.
“The monkey’s the only cookie animal that gets to wear clothes, you know that? So I’m wondering, do the other cookie animals feel sorta ripped? Like, is the hippo going, ‘Hey, where are my pants? I have my hippo dignity.’ And, you know, the monkey’s just (French accent) ‘I mock you with my monkey pants.’ And then there’s a big coup at the zoo.” – Oz in Buffy the Vampire Slayer

